Despite thunderstorms earlier that day I found myself seated in the heart of Times Square to attend the premiere of Mad Men season four, an hour ahead of the rest of the country. I was later upgraded from puddle-seat to VIP area (admittedly way comfier than the wet bleachers (thank you V!). The majority of the drawings were done during the pre-show costume contest, and my personal highlight was seeing the “falling man” intro of the show at the bottom of Times Square signage canyon.
Here are a few more recent drawings from the rehearsals of the New York Repertory Orchestra. I used a quill pen and a reed pen with india ink for these, and I am really happy with how these came out. They really capture the feeling of the music and the atmosphere in the church and in my heart that evening.
The first one is of the cello section, which includes the classically beautiful first cello, the old-school “godfather” second cello, as well as the my collegue, whom I usually do not draw for fear of making him feel self-conscious. I adore the sound of celli, perhaps because their pitch is so close to that of the human voice. This last drawing is of the “papa” of the cello section again, his gorgeous face merging with that of his precious instrument…
On a recent trip to California I stayed in a classic Old Hollywood haunt called the Culver City Hotel, an idiosyncratic red brick wedge of a building that towers over the diminuitive Epcotesque Art Deco buildings around it. The hotel lobby greets visitors with august, dark-wooded, faux-Patrician charm complete with piano bar, wooden globe, and enormous furniture, next to which the tiny check-in desk disappears almost completely. I made a few drawings at the farmer’s market, which is held right next door to the hotel, between the mansion from Gone with the Wind (really!) and a Trader Joe’s supermarket, and saw what I am reasonably certain are real hippies, which excited the anthropologist in me quite a bit. I also bought some unbelievably tasty organic apricots there.
